Keep It in Step Tyler the Creator Sample See You Again

Tyler, the Creator, real name Tyler Gregory Okonma, is a rapper and producer with a unique, culling take on hip-hop. Tyler produces all the music on his releases, and he has too co-produced on releases by Frank Body of water, Earl Sweatshirt and Mac Miller. His way incorporates samples less than his peers, and he oft uses synthesizers and electrical pianos to back-trail his unique, often ambitious vocal commitment. A photo of Tyler's room posted on his Instagram page in 2022 shows a Roland Juno-6, JX-8P and Microkorg in his collection; he has too mentioned owning a Yamaha DX7 in a 2022 interview. He is a co-founder of the culling hip-hop collective Odd Future, and he besides creates album covers and merchandise designs.

In this article, I'll recreate some of Tyler's sounds from his newest release, 2017's Flower Boy. I'll utilise the software synth TAL U-NO-Threescore, an emulation of the Roland Juno, and several plugins from the Arturia V Collection and share the patches at the end of the article.

I got like a Juno, a Roland, I got a bunch of random stuff at domicile that I'll pull out when needed. Similar, ane twenty-four hours I but went on the cyberspace and took any random keyboard and didn't desire to look information technology up because I'd rather exist surprised. I bought a DX7 and didn't get the right cartridge, and so I just had a bunch of random sounds only they ended up working out actually well. I used a lot of those keyboards on the last album and it gave me sounds that I've never had. Some of those sounds, equally cheap as they are, they're simply then rich because they accept so much texture and personality. – Tyler, the Creator

Foreword

Flower Boy's album opener, Foreword, is built around a harmonically minimalistic sample and some jazzy synth chord sequence, a motif that continues throughout the anthology. The synth patch is rich mix of sawtooth and square waves run through a chorus effect and can exist recreated hands in Arturia Prophet V. Load up the template preset Pro5 2 Osc and lower the frequency tuning of one of the oscillators past 12 semitones, or an octave. Turn on the square waveforms in both oscillators and ready their Pw knobs to 10 o'clock and 2 o'clock to sparse them out. In the filter department, set both the cutoff knob and the envelope amount to halfway, and raise the attack time to 300ms, creating a soft fade on the filter. Enhance the resonance knob slightly and add some chorus from Prophet Five's born chorus upshot with the wet/dry out knob at fifty%. Save the patch and apply it to play jazzy chords for instant Flower Boy vibes!

The bass in the video comes from Arturia Mini 5, and the beat is sampled from the Sonic Youth mix of Spoon, by Can.

Harmonically, chromatic movement makes the chord progression audio then intriguing and jazzy. A descending chromatic vocalisation of D-Db-C-B is present in the progression. Additionally, the terminal two chords are an example of a ii-V cadence, simply with tritone substitution on the Five chord. This essentially only swaps i dominant 7th chord with another six semitones away; in this case, the original two-Five is Dm7 | G7, but with the substitution, information technology is Dm7 | Db7.

Colorlessness

Boredom is built effectually another jazzy chord progression played on an electronic piano, and some retro-manner synth leads that could've come from one of Tyler'south Roland synths. To create the electric pianoforte patch in your DAW, fire up Arturia Stage-73, a software emulation of the Fender Rhodes, and find the preset Smooth Jazz to use as a starting indicate. You can profoundly affect the electric piano tone with velocity, so play your MIDI keys softly. You can likewise adjust the virtual amps settings to dispense the tone, and so try lowering the bass EQ and boosting the treble to get a brighter sound. I besides ran the patch through XLN Audio's RC-xx Retro Color to give the track some subtle vinyl character, although iZotope's Vinyl plugin is a good free culling.

• Colorlessness Retro Rhodes 00:00

Harmonically, the chord progression is a classic jazz two-V-I bike, with the V chord being voiced as an extended flat 9th chord (R 3 5 b7 b9), a great way to add some dissonance and jazz flavour to the progression. The b9 in the Eb7 chord creates a descending F-E-Eb vocalism through the progression.

For the lead synths, you can use TAL U-NO-Threescore to get some instant chorused Roland Juno character. The outset atomic number 82 is a super-simple sawtooth patch using some slight filter pluck with a quick attack. The 2d patch, that plays the longer melody lines, uses pulse-width modulation to create a rich string-like sound. Turn on the squarewave oscillator and then simply gear up the PW fader to 7, with the mod source set up to LFO, and then fix the LFO'due south rate to the iii mark, on free mode. Mixed with the sawtooth wave, this contains lots of harmonic and sounds very bright. You can see the balance of the settings to finish the patch in the video below! The shell in this song is sampled from The Montereys Go Down.

Glitter

Glitter features a retro-sounding synth lead reminiscent of the Ohio Players much sampled Funky Worm. Firstly, the synth chords have a bright assail with a chorused sustain portion, and although this could be two parts layered, it's also like shooting fish in a barrel to create the upshot in one patch. From TAL U-NO-LXs default patch, lower the sub volume to 2, set the HPF fader to 3 and the VCF's cutoff to 5. Turn on the chorus 2 upshot and you have a basic Juno patch. To add together the bright attack, elementary enhance both the envelope corporeality and disuse faders to betwixt 3 and four. Employ compression to smooth out the volume of the patch, and plenty of delay to give the patch a dainty sense of ambience.

• Glitter Synth Keys 00:00

For the lead patch, apply just the sawtooth wave with the HPF, cutoff and resonance faders all set to v, and leave the chorus consequence off for a dry sound. In one case more than, I used RC-20 Retro Color to requite the lead synth rails a vinyl flavour, aiming to create some subtle detuning and tone loss, which gives the track the same character it would have if it were sampled.

November

November opens with a warped sounding synth patch, that is reintroduced later in the song. The patch sounds complex but is easy to create using Prophet V's avant-garde modulation capabilities. First again with the Pro5 2 Osc template, find the Poly-Mod section (top-left), activate the filter push and turn the Osc B knob upwardly to fifty%. This merely routes the pitch of oscillator B to the filter cutoff every bit a modulation source, creating unusual sounding filter motion. From here ready the cutoff and envelope knobs to 10 o'clock and the resonance knob to 11 o'clock. Set the filter envelope's attack time to 110ms and EQ out any depression end below 300 Hz to make clean up the patch.

Run into You Again

See You Again is i of the more layered tracks from Blossom Male child, opening with uncomplicated piano accompaniment and growing to a quasi-orchestral vibe. The main synth that comes in at the 24-2nd mark can be created in Prophet Five using detuned saw and square waves, a partially closed filter (cutoff at 2 o'clock) and a small touch of chorus (mix at 25%). The lead synth is a rich, string-style patch, and the same sound can be found in Arturia Solina V's default patch, Bluish Moon. I too used the Arturia plugins Piano V and Mini V to round out the piece.

Harmonically, only the terminal chord in this progression has out of key-notes, the get-go three chords are simply I – vi- 2. The last chord, G7, is a tritone exchange of the Five chord, which is C#7. In fact, these concluding 2 chords are functionally the same as the final two chords in the Foreword progression, from the start of this article!

Download

Thanks for reading, and every bit usual you lot can discover all the patches created above as a free download in the button below!

The presets from this article are likewise included in the Synth Sounds Collection, a free preset pack collecting the synth presets from all of my articles in one download.

If you want to dig deeper into these Tyler, the Creator Synth Sounds, check out my Patreon page to get access to theMIDI files,multitrack stems, andAbleton Projects from the recreations in the article.

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Source: https://reverbmachine.com/blog/tyler-the-creator-synth-sounds/

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